I spent some time chatting with a friend recently. In the course of the conversation, I ended up describing to her how I got into gaming, and which games I've played, in rough order from earliest to most recent.
It occurs to me that this may be of interest to others, if only in part because my path into gaming was so very different from that of most other gamers. So I think I will describe it to you, my faithful readers.
It's all my father's fault, really. When I was a teenager (15 or 16, as I recall), my father brought home a number of Marvel comic books. He was an executive in the regional offices for Hardee's, the fast food restaurant, before it was purchased by Carl's Jr. At the time, Hardee's was considering doing a merchandising promo with some Marvel characters, and so he brought home a handful of issues of various titles for research. There was an Iron Man, a couple of different Spider-Man titles, an Incredible Hulk, and so forth. But the two that caught my attention were the Uncanny X-Men #258 and Wolverine #23.
Showing posts with label Werewolf. Show all posts
Showing posts with label Werewolf. Show all posts
09 July 2016
An Overview of the Original World of Darkness (Part 3)
(continued from part 2)
Other games in the original World of Darkness
I never played any of the games that came after Changeling. The first, Hunter: The Reckoning, went against everything I loved about the first five games. Mummy: The Resurrection was a reworking of an earlier supplement, and I felt that it ruined everything that was wonderful about the original version. Demon: The Fallen brought into the World of Darkness a religious aspect that had been absent from previous games, and I was very disappointed by that fact, so I never looked into it. And although I owned a copy of Kindred of the East, I never got to play it. In fact, I never got to read it, primarily because I knew I wasn't likely to get to play it.
They did also release historical versions of most of the original five. It began in 1996 with the release of Vampire: The Dark Ages. It was essentially the same as the original Vampire: The Masquerade, but it was set in 1197 CE. The primary vampiric sects (the Camarilla and the Sabbat) had not been created yet, and there were some other differences reflecting the state of the vampires at that time. The following year saw the release of Werewolf: The Wild West. As with Dark Ages, it reflected the state of the Garou in the late 1800s. The next year, they released Mage: The Sorcerer's Crusade. It had more changes than the other historical versions, as the mages had changed far more in their history than the vampires or werewolves. But it still reflected the state of the mages in the year 1466 CE. The year after that, they released Wraith: The Great War. This game reflected the status of the dead in the wake of World War I. It was the first of the historical games that was not a stand-alone game. It did not include all the rules needed to play; new players would have to already know the rules if they didn't want to buy another core rulebook in the World of Darkness line.
19 June 2016
An Overview of the Original World of Darkness (part 1)
In 1991, Mark Rein•Hagen's game Vampire: The Masquerade was released. This game took the roleplaying community by storm, and soon was one of the most prominent RPGs in the hobby. It was the first of five games planned by Rein•hagen, who intended to release a game about werewolves next, followed by one about wizards, one about faeries, and one about ghosts.
The order and specifics changed a bit; the game about wizards came to be known as Mage: The Ascension, the one about ghosts was named Wraith: The Oblivion and was moved up to be released before the one about faeries, and that final one came to be known as Changeling: The Dreaming. But all five of those games were released:
The order and specifics changed a bit; the game about wizards came to be known as Mage: The Ascension, the one about ghosts was named Wraith: The Oblivion and was moved up to be released before the one about faeries, and that final one came to be known as Changeling: The Dreaming. But all five of those games were released:
- Vampire: The Masquerade (1st edition 1991; 2nd edition 1992)
- Werewolf: The Apocalypse (1st edition 1992; 2nd edition 1994)
- Mage: The Ascension (1st edition 1993; 2nd edition 1995)
- Wraith: The Oblivion (1st edition 1994; 2nd edition 1996)
- Changeling: The Dreaming (1st edition 1995; 2nd edition 1997)
12 March 2016
Creating an Adventuring Party
'You all meet in a tavern...' so runs the cliched beginning of a great many roleplaying games. Even those that aren't set in a fantasy setting still have the PCs meeting up in a similar location (a dive bar for Shadowrun, just as an example). This trope is so overused and so well known that there are counter-tropes starting to show up. One example is the Giant in the Playground (the website where the Order of the Stick webcomic is hosted) forums, where some participants have sig files that read '78% of DM's [sic] started their first campaign in a tavern. If you're one of the 22% that didn't, copy and paste this into your signature.'
I honestly don't remember how I started my first campaign. I'm not even sure what my first campaign was. It may have been that game of TSR's Marvel Super Heroes. But I could be wrong.
Regardless, even if the adventuring party didn't start in a tavern, the existence of the trope points to a specific phenomenon within the gaming world: PCs who begin the campaign as strangers. This is by far the most common way for games to begin. For most of my early gaming experiences, this was the norm. In fact, it was so much the norm that when my gaming group started playing Werewolf: The Apocalypse, we ignored the pack rules.
I honestly don't remember how I started my first campaign. I'm not even sure what my first campaign was. It may have been that game of TSR's Marvel Super Heroes. But I could be wrong.
Regardless, even if the adventuring party didn't start in a tavern, the existence of the trope points to a specific phenomenon within the gaming world: PCs who begin the campaign as strangers. This is by far the most common way for games to begin. For most of my early gaming experiences, this was the norm. In fact, it was so much the norm that when my gaming group started playing Werewolf: The Apocalypse, we ignored the pack rules.
10 October 2015
Social Bias in Role Playing Games
As I get older, I learn more about how modern society tends to have implicit social biases. Not everyone in a society holds these biases, and those that do don't always have the same biases. These can take the form of racism, sexism, anti-immigrant attitudes, homophobia, transphobia, religious bigotry, political bigotry, and many other forms besides.
It may seem silly to be talking about this on a gaming blog, but I believe that games can help shape attitudes, as well as vice versa. I remember noticing many years ago that almost all of the characters that were created for games in which I played were Caucasian, and the majority of them were male. Even before I'd noticed that, it had occurred to me that I didn't always have to play a character of the same gender as myself. I've played many female characters; some of these I count amongst my most enjoyable gaming experiences. Michelle, the Silent Strider Theurge from Werewolf: The Apocalypse, was one such character; another was Sarah Storm, the cyberpunk piskie from Changeling: The Dreaming. I've also tried to break out of my own ethnicity as well; Michelle was of Egyptian descent, and I recall at least one character that I created who was African American (I never actually got to play that character, sadly).
It may seem silly to be talking about this on a gaming blog, but I believe that games can help shape attitudes, as well as vice versa. I remember noticing many years ago that almost all of the characters that were created for games in which I played were Caucasian, and the majority of them were male. Even before I'd noticed that, it had occurred to me that I didn't always have to play a character of the same gender as myself. I've played many female characters; some of these I count amongst my most enjoyable gaming experiences. Michelle, the Silent Strider Theurge from Werewolf: The Apocalypse, was one such character; another was Sarah Storm, the cyberpunk piskie from Changeling: The Dreaming. I've also tried to break out of my own ethnicity as well; Michelle was of Egyptian descent, and I recall at least one character that I created who was African American (I never actually got to play that character, sadly).
23 August 2009
Favourite Characters
I was reading a blog today about "Awesome things I've done in a game." This got me to thinking about some awesome things I've done, and I realise that more than awesome things, I'm drawn to awesome characters. I say this because the vast majority of entries in my version of this list would have been "played Character X."
So I decided that for today's entry, I would post a list of my ten favourite characters. These aren't all characters that I've run, but they're characters that I really like and remember with some sort of fondness. We'll start with:
So I decided that for today's entry, I would post a list of my ten favourite characters. These aren't all characters that I've run, but they're characters that I really like and remember with some sort of fondness. We'll start with:
- Sarah Storm. Game: Changeling: The Dreaming. Player: Me. Overview: Piskie grump.
This character was inspired by two simultaneous events. First, I read an entry on the White Wolf forum that was talking about how Changeling is a purely fantasy game. As I've mentioned here before, Changeling is as close as you can get to a universal-genre system without actually being a universal-genre system. So I wanted to disprove this statement. Secondly, a friend of mine complained that I am incapable of and/or unwilling to play combat capable characters. I wanted to prove him wrong too (for the record, I don't dislike combat-capable characters; I demand deep, well-rounded, dynamic characters, and so prefer to avoid gun bunnies). Anyway, so I made a cyberpunk piskie; her Chrysalis was triggered by William Gibson's Neuromancer, and her Dream Dance spawned TIM, the sentient chimerical cyberdeck. She has a chimerical cybereye through which she can interface both with TIM and with her treasure: a ray gun. She's smart, sassy, doesn't take any lip from anyone. Plus: Cyberpunk piskie!
16 August 2009
The Loner
I am reminded of an article I read once (I don't remember where I read it) that was talking about the tendency of gaming characters to be loners. It's really not surprising that in games which emphasise the free-wheeling high powered adventure, characters are likely to be free-wheeling sort of people with no bonds to hold them down. After all, it's really not likely that a middle-age middle-class middle management corporate drone is able to just pick up at random and fly to Rome to help stop an international espionage plot. Better to have a young, fit, unmarried guy with no restrictions on his ability to plunge headlong into excitement.
But there's something to be said for breaking the mould a little. I once played in a rather non-standard game; it was a crossover of all the World of Darkness games, and though we started out as mortals, we soon ended up with the three main players running a Vampire, a Mage, and a Werewolf. My character, the vampire, was a teenager plagued with family issues resulting from a murder that he witnessed, so has had to move in with the other characters. The mage was a married guy, and after a couple of years of in-game time, he ended up with a daughter. I still remember the daughter, Alexis; she was a a very smart and capable kid.
But there's something to be said for breaking the mould a little. I once played in a rather non-standard game; it was a crossover of all the World of Darkness games, and though we started out as mortals, we soon ended up with the three main players running a Vampire, a Mage, and a Werewolf. My character, the vampire, was a teenager plagued with family issues resulting from a murder that he witnessed, so has had to move in with the other characters. The mage was a married guy, and after a couple of years of in-game time, he ended up with a daughter. I still remember the daughter, Alexis; she was a a very smart and capable kid.
14 June 2009
Live Action
As most of you probably know, table-top roleplaying is just one way of gaming. There's also LARP. This comes in many forms. The two most common are fantasy roleplay, through societies such as IFGS, and Vampire. There's no real reason to limit it to those sorts of games; I don't see why a live-action Wild West game is out of the question.
Of course, if you want to get technical, "Cops and Robbers" is a form of LARP. So is "playing house" and all the other make-believe games that kids play. Which reminds me of an essay I read in one of my Changeling books...
Steve Herman writes in an article entitled "Oh Boy! A Cat's Eye Shooter!" from the Changeling Player's Guide about how the imagination, the firm belief in things wondrous and magical, is the most precious gift that people have, and the loss of that belief as we grow to adulthood is a terrible tragedy. The author describes how he and his fellow gamers got out their old toys, action figures and the like. They tried to play with them, as they had when they were younger. It wasn't fun for them. They couldn't "create jungles from houseplants or deserts from carpet."
Of course, if you want to get technical, "Cops and Robbers" is a form of LARP. So is "playing house" and all the other make-believe games that kids play. Which reminds me of an essay I read in one of my Changeling books...
Steve Herman writes in an article entitled "Oh Boy! A Cat's Eye Shooter!" from the Changeling Player's Guide about how the imagination, the firm belief in things wondrous and magical, is the most precious gift that people have, and the loss of that belief as we grow to adulthood is a terrible tragedy. The author describes how he and his fellow gamers got out their old toys, action figures and the like. They tried to play with them, as they had when they were younger. It wasn't fun for them. They couldn't "create jungles from houseplants or deserts from carpet."
So they returned to the table. They played Changeling; they found that wonder again. They tried to steal a Wayne Gretsky rookie card, and chased a purple Snozzwanger through the alleys.
31 May 2009
Adult Gaming
Greetings! This week, I felt it might be a good idea to discuss sex in gaming. Some of you may wonder why sex needs to be included in your games. Well, strictly speaking, it doesn't need to be included. But why not? The point of gaming is to have fun, right? And sex is fun, right? So why not combine the two?
Ok, I'll admit it. Probably the only players that will want to include sex in their games will be method actors and storytellers. Butt-kickers don't like the idea of their cathartic violence being interrupted for non-violent activities, like sex. Power gamers aren't interested in sex in their games because it does nothing to contribute to their character's power level. Tacticians aren't interested in sex because it has nothing to do with their quest to out-think their enemies. Specialists could go either way, depending on what sort of character they've chosen as their specialty; ninjas aren't known as great lovers, but some other types may (I've known a couple people who really enjoy playing were-cats in the White Wolf shapechanger game, and the were-cats are supposedly extremely sensual creatures).
Ok, I'll admit it. Probably the only players that will want to include sex in their games will be method actors and storytellers. Butt-kickers don't like the idea of their cathartic violence being interrupted for non-violent activities, like sex. Power gamers aren't interested in sex in their games because it does nothing to contribute to their character's power level. Tacticians aren't interested in sex because it has nothing to do with their quest to out-think their enemies. Specialists could go either way, depending on what sort of character they've chosen as their specialty; ninjas aren't known as great lovers, but some other types may (I've known a couple people who really enjoy playing were-cats in the White Wolf shapechanger game, and the were-cats are supposedly extremely sensual creatures).
26 April 2009
PC Group
Hello, and welcome to another fun-filled week of the Game Dork's gaming corner! This week, I'm going to talk about the adventuring party.
You all know the scenario: "You're in a tavern. There's a mysterious stranger sitting alone in a corner." Or, perhaps, "Someone comes over to your table." And before long, this character is recruited to join a party of people he has never met before to go off on some whirlwind adventure of killing monsters and taking their treasure, with the added benefit of some extra prize at the end of the story.
I used to run stories like that. That was all my gaming group would ever do, when we started a game. We'd each write up our individual characters, and then the GM would have to scramble to find some way to get the characters together. Often, he'd fail, and the characters would realise they have no reason to work together, and the game would fall apart.
The first time we tried to do it differently was our failed experiment in actually using the pack rules from Werewolf. But later, I decided to try a more cohesive approach, and it worked very well, actually. Now I do it every time.
You all know the scenario: "You're in a tavern. There's a mysterious stranger sitting alone in a corner." Or, perhaps, "Someone comes over to your table." And before long, this character is recruited to join a party of people he has never met before to go off on some whirlwind adventure of killing monsters and taking their treasure, with the added benefit of some extra prize at the end of the story.
I used to run stories like that. That was all my gaming group would ever do, when we started a game. We'd each write up our individual characters, and then the GM would have to scramble to find some way to get the characters together. Often, he'd fail, and the characters would realise they have no reason to work together, and the game would fall apart.
The first time we tried to do it differently was our failed experiment in actually using the pack rules from Werewolf. But later, I decided to try a more cohesive approach, and it worked very well, actually. Now I do it every time.
29 March 2009
Jurgi Deathbringer
Last week, I mentioned Jurgi Deathbringer. I think this week, I'll describe him in more detail.
As I said, Jurgi was a Werewolf character. I wrote him when my gaming group tried to use the pack rules for the first time, but chose a pack totem without waiting for me to get home from work. In a fit of anger, I tried to show them how stupid it is to play combat monsters. So I wrote the most min-maxed character I could.
He was an ahroun (the warrior caste) from the Get of Fenris tribe (the most savage, bloodthirsty, and warlike tribe there is, as well as one of the most arrogant). I maxed out his physical stats, gave him the lowest possible intelligence score, and then put all his social points into his appearance. Then I took the flaw "Hideous," which reduced his appearance to zero, resulting in a socially inept monster.
All his skill points went to combat abilities. All his gifts were combat optimised. And I gave him a hatred of every other were-creature that existed. My hope was the other players would see how ridiculous a character like this actually was, and start playing more realistic characters in the future.
My plan backfired.
As I said, Jurgi was a Werewolf character. I wrote him when my gaming group tried to use the pack rules for the first time, but chose a pack totem without waiting for me to get home from work. In a fit of anger, I tried to show them how stupid it is to play combat monsters. So I wrote the most min-maxed character I could.
He was an ahroun (the warrior caste) from the Get of Fenris tribe (the most savage, bloodthirsty, and warlike tribe there is, as well as one of the most arrogant). I maxed out his physical stats, gave him the lowest possible intelligence score, and then put all his social points into his appearance. Then I took the flaw "Hideous," which reduced his appearance to zero, resulting in a socially inept monster.
All his skill points went to combat abilities. All his gifts were combat optimised. And I gave him a hatred of every other were-creature that existed. My hope was the other players would see how ridiculous a character like this actually was, and start playing more realistic characters in the future.
My plan backfired.
22 March 2009
Surrogate Characters
Welcome to another week of the Game Dork's Gaming Corner! Today, I want to talk about an idea I had some years ago.
Some of you may remember that, when I described the different gamer types, I said that I was about 60% Storyteller and 40% Method Actor. This makes it hard for me when I'm in a gaming group that is mostly Butt-Kickers/Power Gamers/Tacticians. There was one occasion specifically when we were preparing to play a game of Werewolf. At that time, we were not using the pack rules (summary for those who need it: a gaming group in Werewolf: The Apocalypse is supposed to work together to create a pack of characters with a specific purpose, either long-term or short term, and each character should set aside some of their points to pool with the other players for the purpose of purchasing a "pack totem," a spirit that grants each pack member certain powers in exchange for following a particular code of behaviour). We would each just write up our individual characters, who would meet as normal and find themselves engaged in some adventure together.
I was excited by this, and was quite looking forward to the first session, where we were supposed to discuss the issue of pack totem and come to a consensus as to which spirit we would adopt as our patron. However, when I got home from work that evening, I was dismayed to hear that the other players had chosen a totem without my input. I was mostly upset that they had not bothered to include me in the discussions, but I was also upset that they had chosen Fenris, the most savage and warlike of the totems.
Some of you may remember that, when I described the different gamer types, I said that I was about 60% Storyteller and 40% Method Actor. This makes it hard for me when I'm in a gaming group that is mostly Butt-Kickers/Power Gamers/Tacticians. There was one occasion specifically when we were preparing to play a game of Werewolf. At that time, we were not using the pack rules (summary for those who need it: a gaming group in Werewolf: The Apocalypse is supposed to work together to create a pack of characters with a specific purpose, either long-term or short term, and each character should set aside some of their points to pool with the other players for the purpose of purchasing a "pack totem," a spirit that grants each pack member certain powers in exchange for following a particular code of behaviour). We would each just write up our individual characters, who would meet as normal and find themselves engaged in some adventure together.
I was excited by this, and was quite looking forward to the first session, where we were supposed to discuss the issue of pack totem and come to a consensus as to which spirit we would adopt as our patron. However, when I got home from work that evening, I was dismayed to hear that the other players had chosen a totem without my input. I was mostly upset that they had not bothered to include me in the discussions, but I was also upset that they had chosen Fenris, the most savage and warlike of the totems.
21 September 2008
Gender Gaming
Something else I've often thought was fun was to play a character of the opposite gender. I've done this several times, and I always enjoy it. In fact, many of my favourite characters have been female. Of all the Werewolf: The Apocalypse characters I've played, I liked Michelle the best. One of my favourite Changeling characters was Sarah Storm, the piskey hacker with a sentient chimerical computer.
This probably appeals most to Method Actors, who enjoy stretching their dramatic and psychological muscles with the challenge of getting into a different mindset (and playing the opposite gender IS a different mindset; if you don't believe me, just read Sperm are from Men, Eggs are from Women by Joe Quirk and Self Made Man by Norah Vincent). Storytellers are also quite fond of the challenge, as it affords them new opportunities to develop and explore the storylines of their games. The other types may or may not be interested in trying this out, but are generally indifferent. Butt Kickers and Power Gamers, in particular, aren't likely to care, as the gender of the character killing monsters has no real bearing on whether the characters are effectively killing monsters.
But I personally think it's a great way to expand the game. There are a lot of things to keep in mind, of course. It may be hard to do this with your particular gaming group. There are a lot of stereotypes out there about gamers being reclusive geeks with no real experience interacting with women whatsoever, and so the only way they have of perceiving females is as objects of desire. Such persons can't meaningfully interact with women, and if there is a female character in the party, they're likely to say things such as, "I do her!" Never mind foreplay, developing a relationship, taking her to dinner first, et c.
This probably appeals most to Method Actors, who enjoy stretching their dramatic and psychological muscles with the challenge of getting into a different mindset (and playing the opposite gender IS a different mindset; if you don't believe me, just read Sperm are from Men, Eggs are from Women by Joe Quirk and Self Made Man by Norah Vincent). Storytellers are also quite fond of the challenge, as it affords them new opportunities to develop and explore the storylines of their games. The other types may or may not be interested in trying this out, but are generally indifferent. Butt Kickers and Power Gamers, in particular, aren't likely to care, as the gender of the character killing monsters has no real bearing on whether the characters are effectively killing monsters.
But I personally think it's a great way to expand the game. There are a lot of things to keep in mind, of course. It may be hard to do this with your particular gaming group. There are a lot of stereotypes out there about gamers being reclusive geeks with no real experience interacting with women whatsoever, and so the only way they have of perceiving females is as objects of desire. Such persons can't meaningfully interact with women, and if there is a female character in the party, they're likely to say things such as, "I do her!" Never mind foreplay, developing a relationship, taking her to dinner first, et c.
19 July 2008
The nature of the hobby?
You may have already read this, but there was an interesting article a few weeks ago describing the way that gamers can be a bunch of pretentious blowhards. The author accomplished this by examining this analogy: RPGs, like cookbooks, are a series of seemingly rigid rules that, in practise, "require a certain amount of adaptation for your own tastes." So if people treated cookbooks like they treat gaming books, it would sound pretty horrible, wouldn't it? You can read it to see for yourself.
If you don't remember, I posted some time ago about the different gamer types. The vast majority of gamers are either butt-kickers or power gamers. By far the minority are the storytellers and method actors. (Granted, for the purposes of this argument, I am ignoring the casual gamer.) Given that the butt-kickers and power-gamers prefer hard core rules systems, which empower their particular emotional desire to game in the first place, while storytellers and method actors dislike hard core rules on account of their desire to play less combat-centred storylines, it is not surprising that this should be the case. For the butt-kickers and power gamers, the rules are everything, because it's the exacting script by which they create havoc and chaos.
But you can see the point, can't you? Sometimes they tend to focus on the rules to the exclusion of their own ability to enjoy the game. They tend to forget that the rules, especially in RPGs, are meant to be modified to suit the needs of your particular group. But with the need for rules that most gamers feel, especially the fanatical devotion to the canon as laid out by the authors of the game in question, adaptation and modification are not seen as options.
If you don't remember, I posted some time ago about the different gamer types. The vast majority of gamers are either butt-kickers or power gamers. By far the minority are the storytellers and method actors. (Granted, for the purposes of this argument, I am ignoring the casual gamer.) Given that the butt-kickers and power-gamers prefer hard core rules systems, which empower their particular emotional desire to game in the first place, while storytellers and method actors dislike hard core rules on account of their desire to play less combat-centred storylines, it is not surprising that this should be the case. For the butt-kickers and power gamers, the rules are everything, because it's the exacting script by which they create havoc and chaos.
But you can see the point, can't you? Sometimes they tend to focus on the rules to the exclusion of their own ability to enjoy the game. They tend to forget that the rules, especially in RPGs, are meant to be modified to suit the needs of your particular group. But with the need for rules that most gamers feel, especially the fanatical devotion to the canon as laid out by the authors of the game in question, adaptation and modification are not seen as options.
10 February 2008
Loosing my gaming rants onto the world
You have found my little corner of the web, where I talk about one of the most important things in the world to me: games.
I am a major fan of games, including both board games and role-playing games.
So here is where I shall talk about it.
First, let me introduce myself. I'm the Game Dork. Hi. Nice to meet you.
Now, for my first post, I'm going to talk about something that I've wanted to try for a while now, and haven't really got the chance to do: chronicle play.
Chronicle play is when you create a starting level character (1st level for D&D, or whatever), and play that character continuously in the same group of players with the same characters for years, until he becomes a truly advanced character.
I am a major fan of games, including both board games and role-playing games.
So here is where I shall talk about it.
First, let me introduce myself. I'm the Game Dork. Hi. Nice to meet you.
Now, for my first post, I'm going to talk about something that I've wanted to try for a while now, and haven't really got the chance to do: chronicle play.
Chronicle play is when you create a starting level character (1st level for D&D, or whatever), and play that character continuously in the same group of players with the same characters for years, until he becomes a truly advanced character.
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