17 February 2018

PinkFae Archive #9: Changeling: The Dreaming - Why I Love It So Much

Welcome, gentle readers, to another PinkFae article. This one refers to Archive #8, from three weeks ago. It was originally published on 28 February 2016, just one week after Archive #8.

The Changeling: the Dreaming main rule book, with the cover art representing a stained glass window of a gryphon holding a sword.

Last week, I wrote an article about the tabletop roleplaying game Changeling: the Dreaming. Included in that article were links to descriptions of the setting and in-game history. Anyone who is familiar with the Storyteller System (the original World of Darkness in particular) already knows the basics of the system. But what I didn't describe was why I am such a fan of the game. So I think I will do that today.

10 February 2018

New Resolution

A ten by ten challenge chart. The centre is a retro eighties image of light purple text reading 'ten by ten' of metallic letters that spell out 'challenge' with twenty eighteen in plain white italics below that, all over a glowing triangle emblem on a background of a starry night sky, hovering over a glowing neon grid. From both sides of this graphic, a five by ten grid in metallic texture extends, curving to become wider as it gets further away from the central image.

Very shortly after I had posted my Resolution: Failed article on 30 December, a friend invited me to partake of a 10×10 Challenge. I had never heard of it, so I did a bit of research. It turns out that a few years ago on Board Game Geek, someone created this challenge to counteract what she called 'the cult of the new' (more on that in a moment).

Here's how it works: you play ten games, ten times each, over the course of a calendar year. There are two levels of difficulty: Normal and Hardcore. In the Normal level, you are considered successful if you play any ten games ten times. Just keep track of how many times you play any game, and if at the end of the year, you have at least ten games in which you logged ten plays or more, you succeed.

In Hardcore, you decide at the beginning of the year which ten games you're going to count. You only log those games (and any plays you may have had before you accept the challenge don't count).

03 February 2018

Board Game Review: Tiny Epic Galaxies

I got to try my first 'Tiny Epic' game recently. If you don't know what that means, I'll tell you. Gamelyn Games publishes a series of 'Tiny Epic' games which come in a small box, take up a small amount of table space, are easy to learn, but pack in a great deal of enjoyable gameplay. And if Tiny Epic Galaxies, the game that I played, is any indication, that description is very apt.

So let's get into it! Here are some numbers to look at:
Strategy and Randomness are rated from 0 to 6. A 0 means the rated aspect plays no part in determining the game's outcome; and a 6 means that it is the only factor that determines the game's outcome. Complexity is also rated from 0 to 6; a 0 means that it's so simple a six-year-old can play it, a 3 means any adult should have no trouble playing, and a 6 means that you'll need to refer to the rulebook frequently. Humour can be rated as 'None,' meaning the game is not meant to be funny, or it may have one or more of the following: Derivative (meaning the humour is based on an outside source, such as a game based on a comedy film), Implicit (meaning that the game's components are funny, such as humourous card text), or Inherent (meaning that the actions the players take are funny). Attractiveness has nine possible ratings. Ideal: the game is beautiful and makes game play easier. Pretty: The design is beautiful and neither eases nor impedes game play. Nice: The design is beautiful but makes game play harder than necessary. Useful: The design is neither beautiful nor ugly, but eases gameplay. Average: The design is neither beautiful nor ugly, and neither eases nor impedes gameplay. Useless: The design is neither beautiful nor ugly, but makes gameplay harder than it needs to be. Utilitarian: The design is ugly, but eases gameplay. Ugly: The design is ugly, and neither eases nor impedes gameplay. Worthless: The design is ugly, andmakes gameplay harder than it needs to be. Average Length of Game Play describes how long an average game will probably last, give or take. Gamer Profile Ratings measures how strongly a game will appeal to players based on their interest in one of four areas. These areas are measured as High, Medium, or Low. Strategy describes how much a game involves cognitive challenges, thinking and planning, and making sound decisions. Conflict describes how much direct hostile action there is between players, from destroying units to stealing resources. Social Manipulation describes how much bluffing, deceiving, and persuading there is between players. Fantasy describes how much a game immerses players in another world, another time.
Strategy: 5
Randomness: 2
Complexity: 1
Humour: None
Attractiveness: Useful
Average Length of Game Play: 45 minutes
Gamer Profile Ratings:
  Strategy: Medium
  Conflict: Medium
  Social Manipulation: Low
  Fantasy: Medium

27 January 2018

PinkFae Archive #8: Transgender Changeling

It's time once again for another entry in the PinkFae archives. This week, we cover an interesting advanced technique for use with Changeling: The Dreaming. This article was originally published on 21 February, 2016.

The Title Logo for Changeling: The Dreaming—the title rendered as a slightly whimsical stained glass panel

As a gamer who is a fan of stories and storytelling, I tend to be drawn towards games that allow and encourage the telling of stories. This is why I became a fan of roleplaying games; they are the single best framework for telling stories as a game. Of all the RPGs I've tried (and I have tried many), my favourite is, without question, Changeling: the Dreaming. It emphasises creativity, and is set in a world which includes a vast realm made entirely of dreams. This allows you to play in any setting you can imagine. The important thing right now is that the characters in this story are faeries inhabiting human bodies. Normally, players assume that the human body in which a fae spirit is housed matches the demographics of the fae spirit itself. But as I find myself thinking more about Changeling as a result of the recent 20th Anniversary Kickstarter, I realise that nowhere in the rules does it say that this is necessarily the case. In fact, there are places where it hints that it isn't always the case; specifically, it mentions that the Eshu, an African kith, are not always born into host bodies of African descent. Thus, I begin to wonder if there are other ways in which this disconnect can be expanded. And my first thought is: what if the human body is of a different gender than the fae spirit born into it? And thus I find myself contemplating the possibility of Transgender Changeling.

20 January 2018

A Legitimate Complaint Concerning GURPS

I recently encountered an article about GURPS. In the article, the author outlines some of the problems he has with GURPS (and, in particular, with the 4th edition of GURPS). Many of the things he has to say on the issue are valid, and as I've recently done a bit of dabbling in GURPS again and had a number of thoughts on the topic, it helped me to crystallise what I was thinking. So today, I'm going to discuss my reactions to the article.

A quick summary of the article, for those who don't want to click on the link above (and it is a lengthy read, so I don't blame you if you don't):
GURPS 3rd Edition was great, but in translating the system into a 4th edition, they made the game incomprehensible for new players, and their ancient, arcane, and inflexible policies on intellectual properties only exacerbate the problem.
So, in order for my attitudes towards GURPS to make sense, I'm going to provide a little bit of context in the form of my personal history with the system.

13 January 2018

PinkFae Archive #7: Board Game Review: Alchemists

Time for another entry in the PinkFae Archive. This post was originally published on 13 February 2016.

The Alchemists box, showing the cover art of a man in wizard's robes holding a frog in one hand as he adds drops of a strange liquid to a brew from which small hands can be seen reaching, as an apprentice climbs out a window in the background to escape the insanity of his master.

Greetings, fellow gamers, and welcome to another entry in the Board Game Review series of Game On posts! This week, I shall describe a game that I learned to play at my local board game cafe's Kickstarter Backer Party! The game in question is Alchemists. Remember the system I devised for reviewing these games? Here it is again:

06 January 2018

Inclusive NPCs Volume 2: Quahtli

It's time again for another Inclusive NPC. As you may remember from the last entry, these NPCs are presented here for you to use as you see fit in any campaign you run. The idea is that you can contribute to a more accepting world by exposing your players, even in games, to a more diverse cast of characters. And since I am aware that not everyone finds it easy to come up with interesting supporting characters, I will provide you with some that you may use as-is, or that may inspire you to develop your own character from marginalised groups.

As I did last time with Cedar, I will provide you with the character's stats in four different systems: D&D, GURPS, the original World of Darkness, and FATE Core.

So let's meet Quahtli.

Quahtli is of Quechua ethnic heritage, originally living in Peru, but having travelled the world to see many different places, and having many new experiences. A few years ago, she met and fell in love with a woman named Cecilia. Quahtli's natural wanderlust and sense of adventure subsided enough for her to settle down with Cecilia. At first, they would travel together, seeing new places, but Cecilia suffered chronic depression, and after a short time, their adventures together grew less frequent. Now, Quahtli stays with Cecilia full time to help care for her and treat her depression.