Saturday, November 17, 2018

Board Game Review: Jorvik

For a few years, the Dork Spouse and I lived in the city of York in the United Kingdom. I very much miss living there; that city is (in my opinion) the most beautiful city in the world. It has an ancient history; it was originally founded in 72 CE as a military outpost by the Roman Empire. It grew to an important trading centre, and when the Romans withdrew from the area in 410 CE, the city (known at that time as Eboracum) was claimed by the Anglo-Saxons, who renamed it Eaforwic. During the Scandinavian invasions, it became a vital holding in the Norsemen's territory. The name was corrupted into their tongue as Jorvik. Following the Norman invasion, the city came to be the second most important city in all of England, with the name being further corrupted into York.

Given that I am so fond of the city and its history and heritage, when I discovered that there was a game based on the Viking era of the city's past, I knew I had to have a copy. And now I am going to review that game for you. This is my review of Jórvík, by Stefan Feld, published by Eggertspiele and Stronghold Games.

Let's start off by looking at the numbers:

Saturday, November 10, 2018

PinkFae Archive #21: Creativity: The Driving Force in Games?

Today, we come to the reposting of the PinkFae article that I originally wrote and published on 12 June 2016.

A photo of a sunset being painted by a hand holding an artist's paintbrush, symbolising the creativity of painting the world.

The Oatmeal recently released a comic about creativity. In a nutshell, it points out that creativity is like breathing. You have to breathe in before you can breathe out. In this analogy, you can't produce creative content if you don't also consume creative content. Creativity is an energy, like electricity or heat; in order to use that energy, you have to get it from somewhere. This can come in the form of reading, watching TV or movies, listening to music, looking at visual arts, and many other forms besides. But in consuming the creativity of others, one becomes more able to create works of one's own.

This is in part because ideas don't spring fully formed into a creative person's head. They are reworkings of things these people have seen or heard or felt or experienced. As a friend of mine is fond of saying, 'Good artists borrow. Great artists steal!' Which is a valid, if somewhat flippant, way of saying that consuming the creative works of others is the essential fuel for one's own creativity.

Saturday, November 3, 2018

Board Game Review: Nyctophobia

A few months back, I learned about a fascinating new concept for a board game. The idea came from a woman who was trying to play games with her uncle, who happened to be visually impaired. She found herself wishing that more games were playable based on tactile sensory input rather than visual. This inspired her to design a game in which players cannot see, and must feel the board in order to take their actions. Thus, Nyctophobia (from Pandasaurus Games) was born.

The box and components on display. The box top (the artwork represents an arm holding a bloody axe) and bottom (with artwork showing three players playing the game; two are wearing blackout glasses and the third is placing one of the other player's hand on the board) are standing behind the components: an eight by eight grid of round holes, several white plastic pieces, a small deck of cards, some cardboard tokens, the rules book, and four pairs of blackout glasses.

Apparently, Target wanted an exclusive edition of the game, so if you buy a copy in one of their stores, you get the Vampire Encounter edition, which has some different art and slightly altered mechanics. In reading the forums on Board Game Geek, it would seem that Target's desire for a different version also stemmed from an interest in having a slightly less stalker-y game, and they felt that vampires were a little less terrifying and gruesome than an axe murderer.