Links

30 September 2017

Board Game Review: Captain Sonar

It's time for another board game review. This week, I've decided to cover Captain Sonar. It's a fun little game that captures the suspense of submarine warfare. We'll start as we always do, with the ratings:

Strategy and Randomness are rated from 0 to 6. A 0 means the rated aspect plays no part in determining the game's outcome; and a 6 means that it is the only factor that determines the game's outcome. Complexity is also rated from 0 to 6; a 0 means that it's so simple a six-year-old can play it, a 3 means any adult should have no trouble playing, and a 6 means that you'll need to refer to the rulebook frequently. Humour can be rated as 'None,' meaning the game is not meant to be funny, or it may have one or more of the following: Derivative (meaning the humour is based on an outside source, such as a game based on a comedy film), Implicit (meaning that the game's components are funny, such as humourous card text), or Inherent (meaning that the actions the players take are funny). Attractiveness has nine possible ratings. Ideal: the game is beautiful and makes game play easier. Pretty: The design is beautiful and neither eases nor impedes game play. Nice: The design is beautiful but makes game play harder than necessary. Useful: The design is neither beautiful nor ugly, but eases gameplay. Average: The design is neither beautiful nor ugly, and neither eases nor impedes gameplay. Useless: The design is neither beautiful nor ugly, but makes gameplay harder than it needs to be. Utilitarian: The design is ugly, but eases gameplay. Ugly: The design is ugly, and neither eases nor impedes gameplay. Worthless: The design is ugly, andmakes gameplay harder than it needs to be. Average Length of Game Play describes how long an average game will probably last, give or take. Gamer Profile Ratings measures how strongly a game will appeal to players based on their interest in one of four areas. These areas are measured as High, Medium, or Low. Strategy describes how much a game involves cognitive challenges, thinking and planning, and making sound decisions. Conflict describes how much direct hostile action there is between players, from destroying units to stealing resources. Social Manipulation describes how much bluffing, deceiving, and persuading there is between players. Fantasy describes how much a game immerses players in another world, another time.
Strategy: 3
Randomness: 0
Complexity: 3
Humour: None
Attractiveness: Useful
Average Length of Game Play: 30 minutes
Gamer Profile Ratings:
  Strategy: Medium
  Conflict: High
  Social Manipulation: Low
  Fantasy: High

23 September 2017

PinkFae Archive #2: Reasons Why We Play Games

We continue our reposting of my PinkFae articles with this item, which was originally posted on 9 January, 2016.

--Beans-- What'cha doin'? --Chuck-- Just playing some video games. Trying to unwind after a long, crappy, day at work. --Beans-- So what's the point of this one? --Chuck-- It's a role-playing game, so mostly I run around performing menial tasks for petty reward. It's a tough grind, but if you work hard enough, eventually you face off against some really tough bosses. --Beans-- And THIS is how you unwind from your crappy job? --Chuck-- You'd think the irony would have occurred to me by now.
Why do we play games? Sure, we all have our reasons. For some, it's about spending time with people they love. Other people see it as an exercise in creativity, or practising various mental skills (or, let's be honest, physical skills; not all games are played around a table or in front of a television set).

For me, there are many reasons: some games are enjoyable because they indulge a particular love I have (dare I say, a fetish?), such as the original Balderdash, which caters to my lexophilia. Other games force me to think, and I love to give my brain some exercise on occasion; Dominant Species and Clans are two excellent examples of these types of games. Some games are fun for me because they facilitate social interaction that I otherwise find difficult to attain (The Resistance: Avalon falls in this category). Others appeal to my love of a certain fandom, such as Star Trek: Road Trip or Firefly: The Game). As a Storyteller, I also tend to be drawn to games that facilitate the telling of stories (thus my love of tabletop roleplaying games like Changeling: the Dreaming, as well as Fiasco and Gloom).

16 September 2017

Sandbox Gaming

I recently read an article about Sandbox Gaming. In case you're not familiar with that term, it comes from video game designs, in which players are given free reign to go where they want and do what they please. This is in contrast to the linear structure of most early video games.

At first glance, you might think that traditional tabletop roleplaying games are a perfect example of sandbox gaming. Whereas a computer game only has so many possible actions programmed into it, so many objectives for players to try to attain, in tabletop RPGs, players can do whatever they want. They don't need the game to have been preprogrammed to allow them to go to certain places or offer them certain options. They have a GM who can improvise to accommodate anything the may think to do. They don't need to wait for a programmer to make something available; the GM can do it for them on the fly.

However, the article in question isn't about sandbox games in that sense. Instead, the author describes whether or not the players are given objectives, or must decide on objectives for themselves. In other words, does the GM tell them, 'You have been hired by the ruler of the Shallukar Empire to find and deliver to her the Canopic Chest of Solitude,' or does the GM say, 'You are standing in the main plaza of the capital of the Shallukar Empire. What do you do?'

09 September 2017

Board Game Review: Blood Rage

I've been able to play Blood Rage twice now, and I enjoyed it both times, so the time has come for me to write a review of it. Guess what? We start with the ratings.
Strategy and Randomness are rated from 0 to 6. A 0 means the rated aspect plays no part in determining the game's outcome; and a 6 means that it is the only factor that determines the game's outcome. Complexity is also rated from 0 to 6; a 0 means that it's so simple a six-year-old can play it, a 3 means any adult should have no trouble playing, and a 6 means that you'll need to refer to the rulebook frequently. Humour can be rated as 'None,' meaning the game is not meant to be funny, or it may have one or more of the following: Derivative (meaning the humour is based on an outside source, such as a game based on a comedy film), Implicit (meaning that the game's components are funny, such as humourous card text), or Inherent (meaning that the actions the players take are funny). Attractiveness has nine possible ratings. Ideal: the game is beautiful and makes game play easier. Pretty: The design is beautiful and neither eases nor impedes game play. Nice: The design is beautiful but makes game play harder than necessary. Useful: The design is neither beautiful nor ugly, but eases gameplay. Average: The design is neither beautiful nor ugly, and neither eases nor impedes gameplay. Useless: The design is neither beautiful nor ugly, but makes gameplay harder than it needs to be. Utilitarian: The design is ugly, but eases gameplay. Ugly: The design is ugly, and neither eases nor impedes gameplay. Worthless: The design is ugly, andmakes gameplay harder than it needs to be. Average Length of Game Play describes how long an average game will probably last, give or take. Gamer Profile Ratings measures how strongly a game will appeal to players based on their interest in one of four areas. These areas are measured as High, Medium, or Low. Strategy describes how much a game involves cognitive challenges, thinking and planning, and making sound decisions. Conflict describes how much direct hostile action there is between players, from destroying units to stealing resources. Social Manipulation describes how much bluffing, deceiving, and persuading there is between players. Fantasy describes how much a game immerses players in another world, another time.

Strategy: 5
Randomness: 2
Complexity: 2
Humour: None
Attractiveness: Pretty
Average Length of Game Play: 2 Hours
Gamer Profile Ratings:
  Strategy: High
  Conflict: High
  Social Manipulation: Low
  Fantasy: High

02 September 2017

PinkFae Archive #1: Lawsian Gamer Types

As I mentioned previously, the PinkFae site is essentially defunct. This makes me very sad, not just because it was a pretty neat site that had the potential to offer a lot in the way of a gaming blog, but because it had about a year worth of articles that I had written. I was quite proud of and pleased with those articles, and it would be a shame if they just vanished.

So starting today, I'm going to intersperse my normal articles with reprints of the ones I wrote for PinkFae. We start, today, with an article entitled 'Lawsian Gamer Types,' which was originally published on 3 Januay 2016.

Robin Laws, an older gentleman with short grey hair, a thin goatee and moustache, and black glasses, wearing a colourful shirt, speaking into a microphone.Robin Laws, an experienced author of roleplaying books, has written an invaluable tool for GMs. It's invaluable for all gamers, although it was targeted at the GM. In it, he includes a great deal of advice on how to make your games as enjoyable as possible for all participants. It's not the stuff you'd normally find in the 'For the Game Master' section of the core rulebook or supplements like the Dungeons Master's Guide. It's more fundamental information, such as campaign design (are you running a dungeon crawl, a set-piece story, a branching story, an episodic story, etc?), suggestions on how to be spontaneous (have a list of appropriate names for when you need to ad-lib an NPC, have a box of index cards with stats for random NPCs that the players may encounter, etc), how to deal with different player types (what emotional kick is each player looking to get from the game, and how can you deliver it to them?).

One of the most important issues that he addresses in this book is the topic of Gamer Types.